<?xml version="1.0" encoding="UTF-8"?>
<!-- generator="wordpress.com" -->
<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"
	xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"
	xmlns="http://www.sitemaps.org/schemas/sitemap/0.9"
	xmlns:news="http://www.google.com/schemas/sitemap-news/0.9"
	xmlns:image="http://www.google.com/schemas/sitemap-image/1.1"
	>
<url><loc>https://cinemaespettacolo.org/2026/05/19/la-distanza-non-protegge-il-caos-tempestivita-e-giustizia-tra-la-sardegna-e-the-equalizer/</loc><news:news><news:publication><news:name>Cinema e Spettacolo</news:name><news:language>it</news:language></news:publication><news:publication_date>2026-05-19T14:00:00+00:00</news:publication_date><news:title>La Distanza non Protegge il Caos: Tempestività e Giustizia tra la Sardegna e &#8220;The Equalizer&#8221;</news:title><news:keywords>cinema, spettacolo, cinema e spettacolo, cinemaespettacolo, sardegna, Note di Ronda, Guardia Giurata, Pronto Intervento, Tempestività Operativa, Antoine Fuqua, Denzel Washington, Sicurezza a Distanza, Coordinamento Tattico, The Equalizer</news:keywords></news:news><image:image><image:loc>https://cinemaespettacolo.org/wp-content/uploads/2026/03/unnamed-9.jpg?w=150</image:loc></image:image></url></urlset>
